Impasto Oil Painting
with Michael Vermette
Have you ever wanted to paint a thick oil painting that revealed textural expressive strokes that lay down like frosting on a cake? This fun-filled oil painting class takes you beyond the guilty pleasure of painting thick to a place where you will get quality results technically and compositionally. Using the oil painting methods of the Venetian and Italian painters, Michael will show you how to use mediums to make the paint brighter, adding a luster appearance and improving the viscosity of the paint that spreads on the substrate like butter.
For the beginner or experienced artist, alike, participants will learn how to use different sizes and types of palette knives and brushes and how to load them with paint. Michael will demonstrate and put you at ease with his approachable teaching style as he reveals the painters in history who painted using the impasto oil painting method. This course inspires students to participate through in-class painting assignments that are meant to innovate, demystify and clarify the impasto oil processes.
Artists will also be encouraged to participate in out-of-class assignments that give opportunities to reinterpret what was learned in class and apply those skills to personal painting ideas at home. Group critiques will be featured to offer constructive suggestions and provide the artist with a supportive opportunity to develop their powers to represent their work.
Participants may choose instructor resources or their own subjects from drawings, experiences from memory, photographs or from direct observation to develop their own painting themes. The course gives technical insight through visual aid presentations of oil painting movements and artist trends that define modern impasto oil painting today. This course will give the artist a solid base from which to build oil painting experiences upon and will include at least one plein air (paint-out) field trip near the end of the course. Come and experience a new course that develops in you a new appreciation for this versatile medium.
SUGGESTED ART MATERIALS FOR OIL PAINTERS
1. Stretched canvas, boards, Masonite or wood panels, or stretched canvases. Recommended maximum size 8 in. x 10 in. or 11 in. x 14 in., [not much larger for in-class studies] and bring a minimum of 1 substrate surfaces per class and one for out-of-class assignments, mere size is depending on personal preference and goals.
2. Paint Box and/or Pack; preferably large enough to contain your palette as well as paints, brushes etc.
3. Bottle or small pint can of liquin or Black Oil Wax Medium (that you can buy from the instructor) and a bottle of sun thickened linseed oil. If you mostly use Black Oil Wax medium as the Venetian and Italian Masters did, you will essentially be painting solvent free.
4. Oil Paint; at least a warm and cool of each primary color and black and white. You may want to bring small 35ml tubes for compactness Depending on how much paint you use. I use quality paints packed with pigment with only linseed oil as a binder. The brands I use are Willamsburg, Blockx, Old Holand, and Sennelier oils in 35 ml tubes. I recommend the following colors: Cadmium Yellow Light or Aureolin, Cadmium Yellow Deep, Yellow Ochre or Italian Yellow Ochre, Cadmium Orange, Cadmium Red Deep or Mars Red, Permanent Crimson or Quinacridon Magenta, Burnt Sienna, Cobalt Violet Deep or manganese Violet, Manganese Blue, Ultramarine Blue, Prussian or Phthalo Blue, Viridian Green, Indigo, Lamp Black or Ivory Black, Large tube of Titanium/Zinc White
5. Brushes: round, flat or filbert oil painting brushes from sizes no.6 to a no.12. Choose at least three (one small, medium, and large). You might also be able to use a small brush for detail or your signature.
6. Palette Knives. I like to use a very small 1 inch, a medium and large palette knife for small studies and a larger one for bigger sized paintings.
7. Palette (It can be a folding palette or a wooden studio palette, even ¼ inch glass).
8. Rags (one per painting); preferably cotton rags because they soak up paint and cleaner better than polyester. You can also use paper towels.
9. Charcoal, graphite pencils or sticks, or vine charcoal.
10.Wet canvas carrier, clips or foamboard strips. (They can be made of foamboard strips and made into a frame taped around the panel or canvas and then duck taped on to the back of the painting and stacked upon each other with a foamboard divider, stored in a small cardboard mailer box for multiple studies or even larger.
11. Miscellaneous Supplies, including: a roll of 2" duck tape, a foamboard strips 1 inch by 16 ½ inches long, (natural are the best), Sketch book and Camera. 2 cups for holding solvents or Black Oil, ex-acto knife.
Feb 28 - May 2nd, 2019
Thu for 10 weeks from 6:00 - 8:30 pm
Bangor High School
Bangor, ME 04401 Get directions